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  • Issue 30 - Raimundas Malašauskas

    Issue 30 - Raimundas Malašauskas

  • Issue 31 - Ken Kagami

    Issue 31 - Ken Kagami

  • Issue 32 - Experimental Jetset

    Issue 32 - Experimental Jetset

  • Issue 33 - Amanda Ross-Ho

    Issue 33 - Amanda Ross-Ho

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B (for bacteria/biography) can tell you how many buildings its been in, how many bars its bored. But it would be nothing to you without their inveterate companion species, Raimundas Malasauskas-- a transnational, corn-filled, diasporic hyper object who is in turn a companion to and accompanied by other kinds of turning objects, often engaging in unintended dervish-like dances. Through times they have left many dizzy, some in awe and most physically disgusted. This might be due to their current manifestation which is slightly gelatinous but soft at touch, a horse nose.
Selected recent and upcoming projects:
Liverpool Biennial 2016, participant of the curatorial faculty;
Tomorrow night I walked to a dark black star, Universidad Di Tella, Buenos Aires, 2014;

Oo, Lithuanian and Cyprus pavilions in the 55th Venice Biennale, 2013

Fusiform Gyrus, Lisson Gallery, London, 2013

Weather Permitting, 9th Mercosul Biennale, Porto Alegre, 2013

d(OCUMENTA) 13, Kassel, 2012;

Repetition Island, Centre Pompidou, Paris, 2010

Satellite Series 4, Jeu de Paume Museum, Paris, 2010 − 2011

Into the Belly of a Dove, Museo Rufino Tamayo, Mexico City, 2010

CAC TV, CAC Vilnius 2004 − 2007

BMW (Black Market Worlds), IX Baltic Triennial, CAC Vilnius, 2005

Paper Exhibition, a book of Malašauskas' selected writings, was published by Sternberg Press: www.rai.lt

Other itineraries can be found at: www.rye.tw


Ken Kagami was born (1974) and presently lives and works in Tokyo. Kagami's selected past exhibitions include "Lionel Messi",Bahamas Biennale,Detroit (2016 Group Exhibition), "dog",MISAKO & ROSEN, Tokyo (2016 Solo exhibition), "comedie concrète", MISAKO & ROSEN, Tokyo (2015 Group exhibition), "Green", What Pipeline (organized by Puppies Puppies), Detroit (2015 Group exhibition), "Bronze works 2013-2014", MISAKO & ROSEN, Tokyo (2014 Solo exhibition), "The Future is Stupid", The Green Gallery, Milwaukee (2013), a two person exhibition together with Detroit based artist Scott Reeder, the solo exhibition "SPICY!!!" presented by Nadiff Gallery, Tokyo (2013) and "HELLOWIEN" Krinzinger Projekte, Vienna (2006). In 2015 Kagami presented a performance as part of the Live section of Frieze London; the performance drew an audience of more than 2000 visitors over the course of 4 days.

Experimental Jetset is an Amsterdam-based graphic design studio founded in 1997 by Marieke Stolk, Erwin Brinkers and Danny van den Dungen. Focusing on printed matter and site-specific installations, Experimental Jetset have worked on projects for a wide variety of institutes, including Stedelijk Museum Amsterdam, Centre Pompidou, Dutch Post Group and Whitney Museum of American Art.

Their work has been featured in group exhibitions such as 'Graphic Design: Now in Production' (Walker Art Center, 2011) and 'Ecstatic Alphabets / Heaps of Language' (MoMA, 2012). Solo exhibitions include 'Kelly 1:1' (Casco Projects, 2002) and 'Two or Three Things I Know About Provo' (W139, 2011 / Moravian Gallery, 2012).

In 2007, a large selection of printed matter by Experimental Jetset was acquired by the Museum of Modern Art (New York). Other institutes that have collected work by Experimental Jetset include Stedelijk Museum (Amsterdam), SFMOMA (San Francisco), Art Institute of Chicago (Chicago), Museum für Gestaltung (Zürich), Centre National des Arts Plastiques (Paris), and Cooper Hewitt (New York).
In 2015, Roma Publications (Amsterdam) released a monograph titled 'Statement and Counter-Statement: Notes on Experimental Jetset', featuring essays by Linda van Deursen, Mark Owens, Ian Svenonius and Jon Sueda.

Between 2000 and 2013, Experimental Jetset have been teaching at the Gerrit Rietveld Academie. They are currently teaching at the Werkplaats Typografie and Artez (Arnhem).

More information on Experimantal Jetset can be found here.  



Amanda Ross-Ho lives and works in Los Angeles. Her work draws from a broad hierarchy of structures, mapping connectivity within the overlapping ecologies of personal and universal phenomena. Her evolving personal language combines forensic and theatrical gestures, diagramming the reflexive relationships between production, presentation, and the social contracts of viewership. Her sculpture, painting, photography, installation, and most recently, public works have been exhibited widely, nationally and internationally. 

More info on Amanda Ross-Ho can be found here.
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